All My Sons by Arthur Miller Essay

Explain how Arthur Miller depicts this moment in his play tout ensemble My Sons so dramatic.Refer to Extract 6 for passageIn his play All My Sons, Arthur Miller makes the moment of George Deevers arrival highly dramatic by means of the sense that a crisis looms for the Kellers and is then narrowly avoided. Hostility is reduced to quieten and jovial equanimity through Kate Kellers maternal dominance and compulsive nature, and this in turn ensures that the threat posed by George is negated. At first, the interactions in the midst of Chris and George are adversarial as Chris repudiates the truth George asserts. Kate Keller resists Chris too, though in a truly different way, which is ultimately successful in nullifying George and the threat he represents to the sour public of Joe Kellers innocence.The initial interactions in this passage create a hostile atmosphere that arises from the clash between George Deever and Chris Keller. George has arrived to insist that Ann does not join Chris because Joes guilt, or, more particularly, Joes dishonesty about his guilt, resulted in their gos imprisonment and the destruction of their family. Chris insists that George wont say anything now. He intends to marry Ann and, more importantly, has systematically suppressed any doubts about his obtains innocence. Miller has George speak past him to Ann, youre coming with me, he says, and again, youre coming with me. This repetition in his dialogue conveys his tenacity and suggests that hes unlikely to desist. His take exception to Chris is part of a larger challenge to the false reality in which the Kellers have been living, a reality in which Joe is innocent. Kate has protected this reality for years and proceeds to do so again now.When Kate Keller enters she immediately adopts a tone of maternal care and link up toward George. Raising both hands she comes toward him say Georgie, Georgie. This diminutive calls into the present Georges past, his childhood and the hap py associations he would have attached to Kate Keller during that time. Millers full point directions describe how she cups his face, a gesture suggestive of the affection and intimacy between a get down and young son. She remarks that he has become grey and that he looks like a ghost.This dialogue paints a vivid image of George as a gaunt and almost lifeless double deserving of kindness and perhaps plays on any feelings of self-pity he might have. She declares that she will make him a sandwich, and insists that he is going to sit here and drink just about juice. Her theatrical and almost hyperbolic performance is one that seeks to emphasise her guardianship for Georges well-being and the motherly desire to nourish him and see him in good health. George is not actually her son, instead he belongs to the now fractured and nonadaptive Deever family. Theres a real sense that Kate is playing on this. She whole kit and caboodle to establish the nature of her interaction with Georg e as obviously maternal, and thereby implicitly encourages him to adopt the corresponding role of dependant and grateful son.Moreover, Kate works to displace both Georges mother and Ann as the female figure to whom George owes the most loyalty and thereby establishes her own dominance and control. Whats the government issue with your mother, she asks, why dont she feed you? This question undermines Georges mother as a capable maternal provider. Next, Miller has her takes aim at Ann, admonishing her for saying that George was fine since he so demonstrably is not. alone as Georges mother supposedly fails to nurture him, Kate points out a similar failing in Ann when she notices Ann hasnt given George grape juice. Ann says defensively that she offered it to him. The stage direction that describes her tone as defensive makes it clear that she feels as though she is under attack. And indeed she is. Kates reply is said scoffingly, exhibit that she is ridiculing Ann for her apparently inep t attempts to adequately care for her brother. By undermining both Georges mother and sister, Kate implicitly offers herself as the female figure on whom George stop really depend.Ultimately, Kate succeeds and Chris defers to her utterly. Hostility dissolves into amiability and affection. Miller makes it clear from the beginning that George invariably liked Kate. This stage direction reveals a vulnerability he has in regard to her. At first he is gently dismissive of her, saying I know and I feel all right. This dialogue suggests he isnt buying into her performance, or at least not at first. Eventually, however, he declares Kate, I feel hungry already. This line signals a significant shift. It is so obviously said with affection and good humour. Clearly, the thought of doing anything to thinned Kate could not be further from his mind. Moreover, it indicates that he has adopted the role into which she has been cajoling him that is, the aquiline and acquiescent son.Throughout thi s passage Kate is highly manipulative. She is motivated by an replete(predicate) to protect the false reality she and Joe perpetuate and on which she depends if she is to see her economize as anything but a monster who killed their son, Larry. Her success hinges on conquer George and the uncertainty of this is what creates the angst-ridden drama at this moment in the play. Ultimately, of course, her success is notwithstanding momentary.